Friday, February 28, 2014
Wednesday, February 26, 2014
Tuesday, January 07, 2014
Tuesday, November 05, 2013
Thursday, October 31, 2013
Tuesday, October 22, 2013
Sunday, October 20, 2013
Thursday, October 17, 2013
Friday, August 02, 2013
Santana tribute band
Twilight in San Diego's Balboa Park. The open air Organ Pavilion. Free one-hour summer evening concerts Tuesdays, Wednesdays, Thursdays. Last night was SantanaWays. Big, enthusiastic crowd.
Wednesday, July 31, 2013
Friday, July 19, 2013
Monday, July 15, 2013
Thursday, July 04, 2013
Tuesday, July 02, 2013
Monday, June 03, 2013
Friday, May 24, 2013
Tuesday, May 21, 2013
Friday, May 10, 2013
Thursday, May 09, 2013
Monday, May 06, 2013
Sunday, May 05, 2013
Tuesday, April 30, 2013
Tuesday, April 16, 2013
Saturday, April 13, 2013
Wednesday, April 10, 2013
Thursday, April 04, 2013
Tuesday, February 19, 2013
Friday, February 15, 2013
Thursday, February 14, 2013
Wednesday, February 06, 2013
Monday, February 04, 2013
Sunday, February 03, 2013
Monday, January 28, 2013
Monday, December 10, 2012
Monday, November 26, 2012
Wednesday, November 21, 2012
Saturday, November 17, 2012
Tuesday, November 13, 2012
'The Sessions' -- Polio and Sex on the Big Silver Screen
(NOTE: The following has just been posted on Post-Polio Health International, and on International Ventilator Users Network. I'm biased toward this important organization, which also operates the wonderful Polio Place , but then I am on the PHI board.)
By William Stothers
Hollywood has a history of portraying people with disabilities as objects of pity, inspirational “supercrips” or embittered villains. So going to see a film about a man with a disability seeking to lose his virginity sets alarm bells clanging. “The Sessions” puts those expectant fears to rest.
Beyond “disability correctness,” however, for polio survivors this film stirs deep memories of our own growing up experience.
Based on the writings and life of Mark O’Brien, a poet and writer who had polio and spent most of his time in an iron lung, the R-rated film is an engaging, often lighthearted, portrayal of a 38-year-old severely disabled man who lives independently in an apartment in Berkeley, California. Mark manages his personal care attendants, gets out into the community on a gurney, writes poetry in addition to essays and articles for several publications.
He’s no wallflower or shut-in, but, like all of us, he has his self-doubts and struggles. He yearns for love and intimacy. He falls for Amanda, one of his personal assistants. Finally, he screws up his nerve to tell her he loves her. Pause. For while Amanda cares a lot for Mark, “love” and all that that means frightens her off. Mark is left feeling his old sense of low self-worth and shame. I’m sure many of us with disabilities have felt the sting of hearing “I really like you, but…only as a friend,” or words to that effect. I can relate.
Deeply distressed, Mark, who is a devout Catholic, consults his priest about his desire to experience sex. He wants permission to follow his therapist’s urging to hire a sex surrogate. After some dramatic reflection, the priest says he thinks God will give him a pass on having sex outside of marriage. “Go for it,” he says.
The film follows Mark’s halting journey with sex surrogate Cheryl. Sensitively played by actor John Hawkes, Mark stumbles and is awkward in his first encounters with Cheryl, who has her own learning curve but is very matter-of-fact and professional.
In their first session, Cheryl asks Mark: "Do you have any area of unusual sensitivity? Any parts of your body you don’t want me to touch?"
Mark responds, "I have normal sensitivity all over. It’s just that my muscles don’t work. You can touch me anywhere."
That’s polio for you.
You’ve got to see The Sessions for yourself to see how it plays out. But the context of the film is pretty realistic in showing that a polio survivor with a significant disability can live a remarkably normal life and experience mature feelings of real intimacy and love.
Kathi Wolfe, a writer and poet herself who has a disability, writes: “… it was with Mark as it has been and will continue to be for so many of us: joy, pain, hurt, pleasure, humor, shyness and chutzpah are indelibly intertwined in life. Keats spoke of what he called ‘negative capability’ – of the poet being capable of being ‘in uncertainties, mysteries, (and) doubts...’”
In reviewing the film, long-time disability advocate and scholar Anthony Tusler said, “O’Brien was one of those poliosthat used his intellect and sense of humor to connect with the wider world. We’ve known many of them, and most are now gone. I’m not sure what it is about polios. One theory of mine is they gained confidence in who they were in the open wards and the polio camps of the 50s. They found their disabled brothers and sisters early on, and they changed the world…. [T]hey refused to believe it was Okay to exclude their disabled brothers and sisters, their community, from life, liberty, and the pursuit of happiness.”
The reaction among people with disabilities has been overwhelmingly positive. People embrace the honesty and matter-of-factness of how disability, especially polio, is portrayed.
The credit goes to Ben Lewin, the screenwriter and director who is a polio survivor. He has said that he wanted Mark to be depicted as a human being who could, like all of us, be at times, "a jerk." The cast, Hawkes as Mark, Helen Hunt as Cheryl and William H. Macy as the priest, are spectacular, and bring the great script to vibrant life.
The Sessions is now in theaters across the country and in Canada. Go see it. I would be surprised if it doesn’t unlock some memories, both good and uncomfortable. It did for me.
© 2012 Post-Polio Health International
By William Stothers
Hollywood has a history of portraying people with disabilities as objects of pity, inspirational “supercrips” or embittered villains. So going to see a film about a man with a disability seeking to lose his virginity sets alarm bells clanging. “The Sessions” puts those expectant fears to rest.
Beyond “disability correctness,” however, for polio survivors this film stirs deep memories of our own growing up experience.
Based on the writings and life of Mark O’Brien, a poet and writer who had polio and spent most of his time in an iron lung, the R-rated film is an engaging, often lighthearted, portrayal of a 38-year-old severely disabled man who lives independently in an apartment in Berkeley, California. Mark manages his personal care attendants, gets out into the community on a gurney, writes poetry in addition to essays and articles for several publications.
He’s no wallflower or shut-in, but, like all of us, he has his self-doubts and struggles. He yearns for love and intimacy. He falls for Amanda, one of his personal assistants. Finally, he screws up his nerve to tell her he loves her. Pause. For while Amanda cares a lot for Mark, “love” and all that that means frightens her off. Mark is left feeling his old sense of low self-worth and shame. I’m sure many of us with disabilities have felt the sting of hearing “I really like you, but…only as a friend,” or words to that effect. I can relate.
Deeply distressed, Mark, who is a devout Catholic, consults his priest about his desire to experience sex. He wants permission to follow his therapist’s urging to hire a sex surrogate. After some dramatic reflection, the priest says he thinks God will give him a pass on having sex outside of marriage. “Go for it,” he says.
The film follows Mark’s halting journey with sex surrogate Cheryl. Sensitively played by actor John Hawkes, Mark stumbles and is awkward in his first encounters with Cheryl, who has her own learning curve but is very matter-of-fact and professional.
In their first session, Cheryl asks Mark: "Do you have any area of unusual sensitivity? Any parts of your body you don’t want me to touch?"
Mark responds, "I have normal sensitivity all over. It’s just that my muscles don’t work. You can touch me anywhere."
That’s polio for you.
You’ve got to see The Sessions for yourself to see how it plays out. But the context of the film is pretty realistic in showing that a polio survivor with a significant disability can live a remarkably normal life and experience mature feelings of real intimacy and love.
Kathi Wolfe, a writer and poet herself who has a disability, writes: “… it was with Mark as it has been and will continue to be for so many of us: joy, pain, hurt, pleasure, humor, shyness and chutzpah are indelibly intertwined in life. Keats spoke of what he called ‘negative capability’ – of the poet being capable of being ‘in uncertainties, mysteries, (and) doubts...’”
In reviewing the film, long-time disability advocate and scholar Anthony Tusler said, “O’Brien was one of those polios
The reaction among people with disabilities has been overwhelmingly positive. People embrace the honesty and matter-of-factness of how disability, especially polio, is portrayed.
The credit goes to Ben Lewin, the screenwriter and director who is a polio survivor. He has said that he wanted Mark to be depicted as a human being who could, like all of us, be at times, "a jerk." The cast, Hawkes as Mark, Helen Hunt as Cheryl and William H. Macy as the priest, are spectacular, and bring the great script to vibrant life.
The Sessions is now in theaters across the country and in Canada. Go see it. I would be surprised if it doesn’t unlock some memories, both good and uncomfortable. It did for me.
© 2012 Post-Polio Health International
Sunday, November 11, 2012
Saturday, November 03, 2012
Thursday, November 01, 2012
Subscribe to:
Posts (Atom)

















































